Distortion & Aberration
Rollover the Sigma 12-24mm image (below) to reveal one made by the Nikon 15mm AIS.
Respect due to both lenses for outstanding geometry. The eagle-eyed may spot a whisper of waveform distortion in the Nikon 15mm and the merest trace of barrel distortion from the Sigma 12-24mm, but these are very minor quibbles. How – and why – Nikon ‘updated’ this lens to endow it with such horrendous waveform distortion is a mystery.
Impressive, too, is the lack of vignetting: the Sigma frame isn’t as evenly illuminated as the Nikon 14mm’s, but neither are problematic.
100% Crops (window detail / f11)
|Nikon 15mm / f11|
|Sigma 12-24mm / 15mm / f11|
A rectilinear object in the frame corner reveals that suggestion of waveform distortion in the Nikon shot, as well as some chromatic aberration. The Sigma 12-24mm is unimpeachable on both counts.
200% Enlargements showing aberrations (corner)
|Nikon 15mm / f11||Sigma 12-24mm / 15mm / f11|